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Leading mixed martial arts federation, Strikeforce, will produce a historic, first-ever mixed martial arts event at the world-famous Playboy Mansion on Saturday, September 29, 2007.

Brazilian Sensation Zuluzinho To Fight At Cagewarriors Strike Force 2 This Saturday
Zuluzinho the 200cm/155kg fighter touted as the “Brazilian Bob Sapp” is to fight at Cagewarriors Strike Force 2 on July 16th in Coventry, England.

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Kick boxing is a relatively modern martial arts system, who syllabus derived by combining several fighting techniques from a variety of the more traditional disciplines, including Kung fu, Kyokushinkai Karate, Muay Thai, Kyokky shinkai and Tae kwon do. History: Martial arts boomed during the early 1970s and interest was greatly increased by their emphasis on competition fighting. Chinese styles of fighting began to take a more westernised form in the UK, and even more so in the United States, where the first real freestyle systems were beginning to be created. Indeed, many people claim that Kick boxing originated in the US during the 1970s. This, they say, was due to various American Karate practitioners becoming frustrated with the limitations of tournament competitive scoring. While Karate and the other disciplines were viewed as being entrenched with theories and set kata, and were performed in a controlled environment, practitioners wanted to see how effective their moves would be in a more realistic environment. Great emphasis began to be placed on specialised techniques, such as kicks and punches, being delivered with full force. Although full contact Karate was already established, concerns were expressed for the safety of competitors. Development: There is a close affinity between Kick boxing and Muay Thai. While it is believed that the Americans had created this concept in their attempt to find a sport that could refine full contact competition, it is believed that the development of Kick boxing was borne out of the World Kick boxing Association finding common ground between Eastern and Western fighting cultures. It is also believed that Joe Cawley, Don and Judy Quinn, along with Howard Hansen, a Shorin ryn Karate black belt, were the initial promoters of Kick boxing and worked together for improved recognition. Hansen took Kick boxing a stage further by introducing fights in a boxing ring rather than the usual Karate tournament bouts. He became known as a ring matchmaker, staging a variety of successful events with stars such as Bill Superfoot Wallis. New rules evolved and were introduced into Kick boxing, most notably weight divisions ” from fly weight to heavy weight ” similar to those in traditional boxing. A down side to the discipline in those early days was criticism of a high risk injury. This led to improvement in the safety rules, such as contestants wearing protective clothing to cushion the impacts of the blows.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

Learn how to put boxing gloves
Your hands might get damaged or broken if you dont properly take care of it for boxing. This process initiates by wrapping your hands with lengthy strips of cloth called hand wraps; this is followed by digging the hands into the boxing gloves. Here are few steps mentioned below which one should follow before putting on the boxing gloves. First of all fasten the hand wrap hook in the region of your thumb, and then enfold the wrapper in the region of your wrist three or four times. Enfold the wrapper in the region near knuckled four to five times (dont include the thumb). Keep your fingers stretch away from each other to permit for suppleness when making a fist. Continue this wrapping process the region at the base of your thumb, the thumb must be in such a position that it shouldnt touch the rest of your hand, following this take the cloth wrapping the out portion of your hand, just next to your pinkie. Continue wrapping the cloth at the back of your hand. Following the above steps the cloth wrapping process must continue across your palm and the inside of your hand, in-between the thumb and index finger. The cloth should be again taken to the pinkie side (i.e. back of your hand). Dont forget to make X pattern over the hand by crisscrossing amid the in and exterior parts of your hand, and then wrap the surplus in the region of your wrist. The end of the cloth wrapper should be tied at your wrist. Many of the wrappers have fabric fastening straps that can be protected at the wrist for a comfortable and tight feel. The completely wrapped hands must be placed in the gloves to completely feel relaxed and secure. The wrappers which have the fabric fastener should be strapped on the gloves for complete fitness. If appropriate, lace can be tied on each glove. Dont wrap the cloth very tightly, it should make your fingers movement easy going and not stuck.

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Bollywood Movie Review - Lage Raho Munnabhai
Okay fingers up, how many of you have seen this movie? May not be a blockbuster or a box office hit hindi movie but it is definitely worth a watch. Perhaps more than once. Why? Just imagine, Sanjay Dutt tackling his enemy by following the principles of Mahatma Gandhi. For the uninitiated, he is a beefcaked bollywood actor with a really mean mafia look who looks like a former Brisbane Lions regular player. I was refering to the former of course. This is definitely one of my favourite movies as the story, screenplay and entertainment factors are brought up very well. This movie goes down as one of the most meaningful movies in Indian film industry. The essence of the movie is about applying the teachings of Gandhi in today’s world and downright hilariousness is ensured from the pairing of Arshad Warsi and Sanjay Dutt. Hahaha… watch it. No seriously… watch it. Story: This is the second installment to the Munnabhai MBBS movie series. The kind hearted don, Munnabhai (played by Sanjay Dutt), researches day and night on Mahatma Gandhi in order to impress the lady of his dreams and that is when Gandhi appears in front of him either as a soul or a figment of Munnabhais hallucination. An adventure then starts in a meaningful way for him where he learns how to deal with people and their problems by applying Gandhis principles. Screenplay: Perhaps the sole challenge of the movie is the application of Gandhis philosophy to solve todays people related problems and it is carried out so well in the movie. The comic timing of Sanjay Dutt and Arshad Warsi is flawless. Boman Irani, in his typical fashion of doing something different in each movie, contributes further to the comedy by portraying a very stereotypical image of a Sardar. Even though the comedy does justice to the entertainment factor on a high scale, it does not deviate from the central theme and is able to deliver all the messages beautifully. Cinematography: Cinematography is done fairly well according to a typical Indian movie standard. Video Editing: There is not much video editing for the movie since there is no need for it. It is mainly focused in songs, especially in the Pal Pal song sang by Bollywood melody queen, Shreya Ghoshal.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

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Karate, or Karate-do, loosely translates empty hand (”kara” means empty and “te” means hand). This art is indeed predominantly concerned with fighting with bare hands and feet. The basic principle is to turn the body into an effective weapon to defend and attack when and where it is appropriate. History:
Karate is one of the most widely practised of the oriental martial arts. It evolved during one of the Japanese occupations of the island of Okinawa, part of the Ryukyu chain of islands, in the 15th century. Its roots, however, can be traced back much further than this - all the way back to ancient India. Many people hold the view that what we regard today as the oriental martial arts have their roots in India. In fact, when we look at such disciplines as yoga and the breathing techniques that originated in India, there does seem to be a great similarity between those and many of the modern martial arts systems. Zen Buddhist monks took the Indian fighting techniques to China from as early as the 5th century BC. Bodhidharma, an Indian monk, travelled at the end of the 5th century AD from India to China, where he became an instructor at the Shaolin monastery. He taught a combination of empty hand fighting systems and yoga. This became the well-known Shaolin Kong Fu - the system on which many Chinese martial arts systems are based. In 1470, the Japanese had occupied the island of Okinawa. The law of the land dictated that anybody found carrying weapons would be put to death. In order to protect themselves from local bandits, who largely ignored the prohibition on weapons, Zen Buddhist monks developed the empty hand system known as “te”, importing new techniques from China. Eventually the new art was translated as “t’ang” (China hand), but was familiarly known as “Okinawa-te” (Okinawa hand). It was not until the 20th century that t’ang became known as Karate-do. The suffix do was added by Gichin Funakoshi’s son Yoshitaka Funakoshi, in friendly opposition to his father’s Okinawa-te style. Practice and demonstrations until that time had been extremely violent. Punches were not pulled and full contact was an integral part of the Okinawa-te style. Yoshitaka Funakoshi transformed the techniques of Okinawa-te into a gentler system, seeking not to deliver blows fully, but to focus strikes at skin level. The do suffix expressed the move away from the aim of the warrior and towards physical and spiritual development. Styles:
There are numerous styles of karate practised. Wado Ryu and Shotokan are just 2 of them. Other popular systems include Shinto Ryu, developed in 1948, and now one of the main systems in the world. It is also important to realise that the various styles of Karate are the results of the personal ideas of many individuals about how each basic technique should be carried out or applied. The different techniques within the styles of Karate also dictate whether strength, speed, hand or leg techniques are emphasised. Competitive Karate:
Karate has been a self defense system and a form of physical exercise. The competitive and sporting elements have a further part to play in the individual’s enjoyment of this activity. It is because of the possibility of participation in competition that many people take up this art. Competition is not the only reason for engaging in this art. It is possible to learn Karate without participating in competitions, however for some people, competition provides motivation and stimulation for training. The sense of achievement that comes from just taking part can be carried over into everyday life.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

Strengthen your mind and body by practicing a martial art
Martial arts are basically a set of physical and mental skills that are gradually taught, developed and polished by a trainer usually called sensei for Japanese arts and sifu in Cantonese. Martial arts translate as the arts of war, and they consist of a multitude of weaponless combat techniques, focused primarily on self defense. Based on ancient wisdom and philosophy, martial arts not only strengthen the body of the adept, but they also fortify his mind and his spirit. In Eastern culture, self control, discipline, patience, awareness, are considered to be the traits of a true warrior, and martial arts mainly focus on developing these skills to practicing students. In ancient times, martial arts were kept secret and practiced in silence; being an apprentice in these skills was a great privilege. However, today there are various schools that perpetuate the traditional teachings of the great ancient masters. Martial arts are divided into many different styles, linked together by the omnipresent oriental mentality. If you wish to begin practicing a martial art, you should choose a style that best satisfies your needs and potential. Some martial arts focus more on physical strength, while others focus on technique and reflex. The best thing to do before choosing the appropriate style is assisting to a few training classes and asking the trainer whether you fit in or not. Another important aspect you should consider is that martial arts require a lot of ambition, dedication, perseverance and practice. You should keep in mind that the skills are learned gradually, and it takes time to achieve higher ranks. When you have discovered the style that fits you best, make sure that your trainer is qualified and that he teaches in an approachable manner. Regardless of experience or rank, not all martial arts masters have the ability to teach! You should look for an instructor that stands as a true raw model, a person whose teachings match his ideals and beliefs. Having found the right instructor and training gym, all you need is equipment. Martial arts equipment is sometimes optional and it mainly consists of a uniform or sparring and protective equipment such as boxing gloves, head gear and chest protection. You can either buy these traditional uniforms, or make them yourself. Consult your instructor and find out his requirements regarding the appropriate training outfit. The martial art equipment also includes a belt. It is made of a certain textile material and its purpose is to distinguish the ranks of the students. The black belt marks the highest level of experience and it can be obtained through years of learning and practice. Whether you choose to practice martial arts as a sport or for self defense, its benefits are substantial. Martial arts improve your physical condition, as well as your concentration, attention and ambition. They strengthen the mind and body altogether and help you achieve self-respect, confidence and balance.

For great martial arts equipment just visit our site http://www.bambamboo.com .After years of our own training in various martial arts, we know what a product needs to make it good, reliable, and durable. Visit http://www.bambamboo.com for great martial arts equipment Toronto .

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There is good news for martial arts fans. Ultimate Fighting Championship (UFC) is going to organize an event titled UFC 70: Nations Collide on Saturday, April 21, 2007 at Manchester Evening News Arena in Manchester, England

Martial Arts Leaders Give More Support for the New Museum
The Martial Arts History Museum continues to receive support from martial arts leaders across the globe

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The most coveted martial arts ceremony in the world will be taking place in California this June.

Public Relations Firm brought in for the Martial Arts History Museum
The Martial Arts History Museum taps PR firm to assist in increasing public awareness of the museum

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History: The art of Ju-jitsu is interpreted as being the “science of softness”. Translated literally, ju means gentle or soft and jitsu means art. While referred to as “a gentle art”, some of the techniques are nevertheless extremely dynamic in their delivery and would appear to be anything but soft. There are many stories regarding the origins of Ju-jitsu, dating as far back as the 8th century, with historical lines indicating roots even before the time of Christ. While some claim that Ju-jitsu originated in China, the ancient chronicles of Japan describe how, in AD 712, Tatemi Kazuchi threw Tatemi Nokami, like throwing a leaf. Reference is also made in the Nihon Sho-ki chronicles to the Emperor Shuinjin holding a martial arts tournament to celebrate the 7th year of his reign in 23 BC. One of the bouts resulted in the death of a participant, a Sumo wrestler, who was thrown to the ground and kicked by Nomino Sukume. These accounts provide evidence of early empty hand techniques in Japan. There is also reference to Ju-jitsu developing as an art from the work of a Buddhist monk, dating back to the 13th century. These ancient techniques were known as kumi-tachi (or yawara), which is described in the Konjaku-monogatari, a Buddhist work dating back to that time. Philosophy: The central philosophy behind Ju-jitsu is to conquer an opponent by any and all means ” as long as only minimal force is used. Consequently, this precept demands from its followers a strict conformity to various disciplines ” both mental and physical. Physical fitness has been a fundamental prerequisite for practitioners of Ju-jitsu. A characteristic of this art involves strict moral and dietary regimes, which are seen as being necessary if one is to reach the highest level of perfection. It is therefore not surprising that, historically, many Ju-jitsu masters withdrew to religious institutions, such as Buddhist or Shinto shrines. Although the basic principle behind modern Ju-jitsu as a self defence art is to conquer an opponent using minimal force, the older art of Ju-jitsu focused on literally annihilating the enemy, which led to the development of many dangerous and fatal techniques. Ju-jitsu today: The traditional art of Ju-jitsu is still carried on today by a minority of practitioners, who wish to keep alive the warrior spirit of the fatal fighting techniques of the art. They do not enter competitions and their only goal is the continuation of the mental, spiritual and physical aspects of the art.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

Kung Fu (Wing Chun) - General Background
History: Wing chun kuen is one of the many styles of martial arts, whose origins are to be found in Southern China and, compared with other martial arts, it is relatively a newcomer. The term Wing chun is attributed to a woman called Yim Wing chun, who was the prot©g© of a Buddhist nun called Ng Mui. Wing chun is known a soft style, but is in fact a blend of hard and soft techniques. With reference to the hard concept, in simple terms this means meeting force with force, whereas the sort term refers to more evasive manoeuvres and techniques. Loosely translated, Wing chun means beautiful spring time and kuen means fist or fist fighting style. However, many people refer to the style as being Wing chun. This blending of hard and soft is due to the fact that it was developed by a woman and refined mainly men. It is also said that Ng Mui once observed a battle between a snake and a crane. From her observations sprang ideas on how to create this art. Mimicking animal movements is particularly common in Chinese martial arts. Principle: Wing chun is centered on the Taoist principle of take the middle road. In essence, this says that we should not go to the extremes and that success is based on balance. If we are on the middle road we can see both the left and the right paths, but if we venture too far out to one side we may lose sight of the other. This can also be interpreted as the concept of the hard and sort principles ” or yin and yang. Yin (feminine side) focuses on diverting the flow of energy; yang (masculine side) seeks to resist any opposing energy flow. Yang is primarily seen in the explosive quality of the striking moves. Sticky hands: One of the most important techniques in Wing chun is sticky hands. Since Wing chun is a close-quarter system, it is potentially dangerous for the practitioners themselves, who are at risk of being hit, grabbed or kicked. This realisation has led to a particular method called double sticky hands. To the uninitiated, this technique is best described as a hurt boxer trying to spoil his opponents moves by clinging to his arms. The aim is to prevent an opponent striking freely, giving the Wing chun practitioner the opportunity to control, trap and break free to strike. The real skill lies in both parties wanting to achieve the same goal and this has led to exceptional techniques, in which either one or both parties can train blindfolded. A skillful practitioner can eventually predict and nullify the danger. The main areas that sticky hands seeks to develop fall into the categories of sensitivity, power and general fitness. Sensitivity covers such aspects as the centre-line concept, reaction to direction change, striking when the hand is freed, going with the power and not resisting force, continuous techniques (fluidity), and balance in the vertical and horizontal planes. Power involves guiding power, aggressive and explosive power, and power control and balancing power techniques.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

Judo - General Background
History: Professor Jiguro Kano, the founder of Judo, graduated from the Imperial University of Tokyo, Japan, in 1881. He attended several Ju-jitsu schools, seeking to develop a system of physical exercise. He adopted the best principles of each ju-jitsu system and called it Judo. Literally translated, it means “gentle way”. Kano’s interpretation, however, was maximum efficiency. It is worth bearing in mind that Kano did not create Judo to be a public competition sport, and he felt strongly that it was a personal art to train the body and the mind. He insisted that its mastery required and appreciation of the inherent philosophy that supports all aspects of Judo. With this in mind, it is interesting to know the oath that all Judo students at the Kodukan dojo (the name given by Kano to his dojo) must make on admission: Once I have entered the Kodukan dojo, I will not end my study without reasonable cause; I will not dishonour the dojo; unless I am given permission, I will not disclose the secrets that I have been taught; unless I am given permission, I will not teach Judo; pupil first, teacher second, I will always follow the rules of the dojo. Competition: Judo today is one of the most wide-spread martial arts in the world, with reputedly more than 8 million students. Practitioners are referred to as judoka and competitions (Shiai) are conducted under the supervision of a referee and a judge. Contests and training take place in the judojo (hall). Free-style combat in Judo is known as randori; the submitting opponent is known as the uke, and the winning partner is referred to as the tori in Judo. More than just a sport: Judo is not purely about physical skill. Its aim is to teach good attitude and behaviour and to instill a sense of decorum in its judoka: best summed up in 2 terms used to describe the mental attitude expected from a judoka: hontai, demonstrating the state of permanent alertness and bonno, demonstrating a disciplined mind, serene and calm, controlling the body and being able to react to any situation.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

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The movie, Black, was the main winner at 2005 Indian Filmfare Awards winning eleven awards in total, breaking a record as a result. It then went on to win 10 awards in the 2006 IIFA Awards ceremony. Time Magazine (Europe) selected the film as one of the 10 Best Movies of the Year 2005 from across the globe. The movie was positioned at number five. It was also listed on the 25 Must See Bollywood Movies by Filmfare Magazine. Story: Black is the story of blind and deaf girl (acted by Rani Mukherjee) who has been in darkness since she was born. No one, not even her parents, are able to help her in any way until an old alcoholic teacher, Debraj Sahai (acted by Amitabh Bachan), enters her life and takes on a mammoth of a task of bringing the young girl into light and ensuring her graduation from a normal college. The film is similar to the story of Helen Keller. Screenplay: Superb acting is produced by well-renowned veteran Amitabh Bachan and multiple award winning actress Rani Mukherjee. Probably this is the finest ever performance of Rani Mukherjee. Her turning point in acting came from the movie, Hey Ram whereby she claimed that Kamal Hassan changed the actress within her and indeed it was a very successful change. One is able to feel the pain and sufferings experienced by the girl and admire the determination and patience given by her teacher. Cinematography: Cinematography is very well done by providing the appropriate lighting to create the suitable mood and atmosphere such as the scene of the young girl. Video Editing: Not much video editing can be expected from this movie since the focus is on the story and the deep portrayal of the characters. However, few scenes like the one where Rani Mukherjee enjoys the snow are well edited.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

Shinto Ryu - General Background
Shinto ryu is one of the disciplines practised under the umbrella organisation of the European Martial Arts Academy. Its name means natures way or spirit of nature ” shinto meaning nature or shrine and ryu meaning the way. It is by understanding its name that we gain an insight into how the system works, by developing self-defence skills in a natural way. Shinto ryu is a street defence strategy encompassing the hard (forceful self-defence) and soft (acceptance and deflection) elements of various martial arts styles. It has developed into a unique self-defence system suitable for all, irrespective of age, fitness or gender. Shinto ryu teaches practitioners skills they can adapt to any situation: hard techniques might be required in response to aggression or physical violence, yet Shinto ryus softer techniques might be more appropriate in an unsolicited or threatening situation. Philosophy: The philosophy of this art does not manifest itself in seeking harm. Instead, it strives to equip practitioners with techniques that allow them to walk away from difficult situations. Defusing techniques are of utmost importance, but it needs confidence to utilise these techniques effectively. In Practice: Shinto ryu is a modern discipline. Practical techniques are taught based on a star movement, which allows one to defend oneself from any conceivable angle ” be it standing or seated. Reality is the key to this form of self-defence. Practitioners are taught how to respond to different real-world situations, such as being threatened on public transport, for example, in cars, at work and many other environments. Shinto ryu also teaches one how to improvise with objects one is likely to have at hand, such as using a chair or small table as a barrier, as part of a self-defence strategy. The use of a shinai (bamboo stick) has also been incorporated, but not in the same way as in the art of Kendo. It is used to replicate a potential weapon such as a piece of wood, iron bar or pole that may be at hand, so that the practitioner can learn to strike and defend effectively.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

Learn How To Kick: Kicking Effectively in a Self-Defense or Combat Situation Part 1 of 10
This ten article series will deal with the various components that need to be addressed when considering the utilization of a particular kick in a combat or self-defense situation. These ten components can also be used by the tournament competitor although certain segments would have to be modified slightly for the tournament aspects of kicking, rather than the more intensive nature of using a kick or kicks in combat. Although all of these individual components are important, they are most effective when combined together and utilized correctly when executing a kick. Although I will only be discussing one of the components in this article, here is the complete list of all ten of them. 1. Your Kicking Ability
2. Your Intended Application
3. The Environment
4. Telegraphing
5. Striking Implement
6. Striking the Correct Target
7. Initial Impact
8. Impact
9. Retraction or Follow Through
10. Return to Fighting Position Component One; Your Kicking Ability: Your kicking ability is just that, your kicking ability. Not your perceived kicking ability, but your actual reality based kicking ability. This may be a hard pill to swallow, but you may not have the ability to utilize all of those flashy spinning and flying kicks effectively in an actual self-defense situation. Now the good news, if you can realize this and accept it, then you are off to a lot better start than most people who like to kick. Awareness is the key to survival, and nothing is more important than self-awareness. Now there are a lot of self-defense experts out there than dont advocate kicking at all in a self-defense situation. However, when you do a little research into why they believe this, most of the time you will find out that they had a bad experience and/or witnessed a bad experience with someone who tried kicking and ended up getting the worst end of the beating. This is almost certainly due to a lack of proper knowledge not only of how to kick, but also the who, what, where, when, and why of correctly applying a kick. Which unfortunately seems to be fairly common with a lot of the McDojos that are so prevalent in todays society. These articles will help clear up some if not all of those problems. For as many of the self-defense experts that are out there that dont advocate kicking, there are many more that do, although they recommend that you should never kick above waist high. For the most part this is very sound and intelligent advice, and should be adhered to for the most part by everyone. However, like every known rule or law, there are exceptions. For those few individuals out there who are truly gifted in the art of kicking you can, with careful planning and intelligence, execute kicks to a standing opponents head with amazing results. I know Ive done just that on numerous occasions. Now how do you know just how good you are at kicking? Well, first and foremost unless you are a truly perceptive and honest person with yourself, you can forget about asking yourself. If you do, youll probably be able to execute any one of a dozen or more jump spinning kicks taking out as many as two dozen ninja villains before your feet ever touch back down on the ground. Way to go Hollywood! The first person you should consult with is your instructor. If he is qualified and competent (you shouldnt be with him or her if they arent) he will be able to fully assess your ability and give you his honest and forthright opinion. The next group of people you should speak with is your senior classmates. They too should be able to give you their assessment of your kicking abilities. Now after you have spoken with your instructor and your senior classmates, you can then talk to yourself. Now I dont recommend doing this in a public place or your liable to end up getting a visit from the large men dressed in white carrying the butterfly net and the canvas jacket with extra long sleeves. What I do recommend is a private time of self-reflection where you can honestly evaluate your own abilities. Here is a list of the important items that I feel you need to look at when considering what level your kicking ability is at. 1. Length of time spent learning those kicking skills. 2. The degree of flexibility that you have in your legs. 3. The amount of power that you are able to generate with your kicks. 4. Your ability to execute every aspect of those kicks correctly from start to finish. 5. Your own past experiences in actual fights, not sparring in the dojo or at a tournament. 6. Your ability to effectively and consistently land a kick on a training partner anywhere from the waist down without them seeing it even after it hits them. 7. Your ability to execute that very same kick without telegraphing it. 8. Your attitude towards being confronted with a violent situation. 9. Your overall physical condition. 10. Your ability to use your brain intelligently. One of the best training aids that I have ever used and still do is a large full length mirror. I have used a mirror to train with ever since I first started taking lessons over 25 years ago. It is without a doubt the most important piece of training equipment that you can use, if it is used correctly. What you want to do is to stand in front of the mirror in a fighting position. Then without thinking about it, execute a kick at your reflection in the mirror. Now a word of caution, make sure you are back far enough from the mirror that you arent going to actually hit it. This can not only be dangerous to yourself and be very expensive, but you could also end up with seven years of bad luck. If you believe in that sort of thing. When you can stand in front of the mirror and execute a kick, or any technique for that matter, without telegraphing it then youre starting to make some real progress. This is not an easy thing to do, but you can do it. It just takes a lot of time, hard work, and proper instruction. The next article in this series will deal with the second of ten components needed to kick effectively in a combat or self-defense situation. That component is, Your Intended Kicking Application.

Shawn Kovacich is a high ranking black belt in both Karate and Tae Kwon Do. Shawn is also a two time world record holder for endurance high kicking as certified by the Guinness Book of World Records. Shawn is the author of <a target="_blank" href="https://www.chikara-kan.com/shoppingcart/Back-Kick-p-16133.html">Back Kick</a>, volume one in the highly acclaimed <a target="_blank" href="https://www.chikara-kan.com/shoppingcart">Achieving Kicking Excellence</a> series.

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Keen insights on karate practice and teaching from someone who has been studying, practicing and teaching it for 25 years…

Is Your Cup Empty? Here Is Why Bruce Lee Emptied His
If your cup is already full, it’s hard to fit any more in. Find out how and why Bruce Lee kept his cup empty.

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Have you ever wonder why this little music machine attracts so many people in the entertainment world? Have you ever tried singing a good song using a karaoke?

Today, the utilization of karaoke is rapidly gaining a fair share in the market. In most entertainment places like bars, merry-making will not be complete without these remarkable music machine known as the karaoke.

However, many people are wondering what this karaoke is all about. How come that this new technology had quickly gained the people?s attention in a short span of time.

Moreover, there are many people wondering why, is spite of the close interaction between and among karaoke users, still, they do not know what karaoke is all about.

So for those who wish to know everything about karaoke, here is a list of some facts that will help those who want to land a big score in this remarkable music box.

1. When name matters

It is obvious that the word ?karaoke? is a foreign name.

In reality, karaoke is actually a Japanese term, which means ?empty orchestra,? where ?kara? in Japan means empty, while ?oke,? from the Japanese term okesutora, which means orchestra.

No wonder why using karaoke literally creates a small orchestra where the performer and his audience are having a grand time.

2. The origin

Karaoke first originated in Japan during the 1970s, where people are known to be ?entertainment aficionados.? At a later stage, this wonderful music boom box was distributed to the East Asia during the last part of the 1980s and entered the United States on early part of the 1990s. From here, karaoke gradually dominated the whole world.

3. The technology

The basic technological concept of karaoke machine is based on the utilization of ?audio input? and ?audio output.?

This technology uses the concept of ?subcode,? which, in turn, makes the encoding of the lyrics absolutely possible.

With this device, seeing the lyrics on the screen was made possible.

On the other hand, the technology that is being used by the karaoke machines has the capacity to modify or alternate the ?pitch of music? so that the singers will be able to establish a good connection with any available source of music. This can be done by preferring a particular key based on their ?vocal range.?

4. The authentic look

What the modern people may not realize is the fact that the first forms of karaoke resemble to that of a cassette player. This is because karaoke in the past uses compact discs or CDs. The only difference this karaoke CDs make with the other CDs is that it combines standard graphics capability known as the CD+G.

5. Utilization of newer technology

With the fast pace of technology, one item seem to evolve with another item that is more technically superb than its first form.

Take for example the emerging new technology of karaoke. With the help of the new technology, karaoke fanatics may no longer stay in clubs and bars just to get hold of the microphone and sing. This is because karaoke is already available over the cellular phones, Internet, and computers.

All of these three use special software that when attached to the machine, the audience will be able to make the best performance.

Indeed, karaoke are known for its entertainment purpose. So one should keep in mind that the only best way to enjoy karaoke is to be entertained to the fullest.

Robert Thatcher is a freelance publisher based in Cupertino, California. He publishes articles and reports in various ezines and provides karaoke resources on <a href="http://www.your-karaoke-resource.info">www.your-karaoke-resource.info</a>.

Interview with Tito ortiz
MMAToday: How are you doing?
TO: Great! I just got back from a month of vacation and I am feeling good.

MMAToday: Have you returned to training since your last fight?
TO: Just started training again lightly about a week ago getting ready to get all the way into it

MMAToday: How much training time do you plan to put in before your next fight?
TO: About 2 full months

MMAToday: What brought you into competing in MMA?
TO: I was in wrestling in high school and college, started as Tank Abbots training partner. I started really getting into the UFC when they started having weight classes since I competed at 199 so 205 was a natural fit for me. Just the love of competition. I fought my first fight for free because I was still in college and would lose my scholarship if I was paid.

MMAToday: What training and experience did you have that made you know you would be successful at it?
TO: Just wrestling, growing up with older brothers who used to beat me up a lot, and I started training boxing in my garage in high school

MMAToday: What fighters early in your career did you admire and maybe try to model your training and fighting style after?
TO: Royce Gracie, Ken Shamrock and Tank, tried to take lessons from what they had done and been successful at and incorporate it all. Guys like Frank Shamrock knew the whole game and his cardio was awesome. I didnt try to be like anyone else really but learn from them and take that and add it all up to make the perfect fighter.

MMAToday: Are there any fighters you look up to now?
TO: Not anyone now currently, but I look at people who put it all together like Ali, Bruce Lee 30 years ago. GSP and BJ are great fighters. I cant respect anyone in my weight class anymore because I get caught up in watching them and being in awe instead of stomping on them, which is what I need to be do doing.

MMAToday: One fight that is noted as making a big difference early in your training and career was against Frank Shamrock, how did that fight affect you?
TO: I trained with Frank after the loss for a couple weeks, got to see what it took to be a top contender. I lost to Frank because of conditioning. Frank helped teach me about heart rate and rest. I learned about recovery times. After only fighting for almost 2 years and training with Frank I was able to go at it with Wanderlei Silva for 5 full rounds at full speed.

MMAToday: How was it the first time you won a UFC Championship? How did you feel afterwards?
TO: When I first won it was amazing but I had another goal and that was to keep the belt. Dont get me wrong I slept with that belt for the first month after I got it, but I wanted to keep it. I wanted to keep it longer than anyone ever had and break the record for it, and be dominant and I did that.

MMAToday: What fight or fights for you are the most memorable of your career?
TO: Theres a few. First beating Silva for the title and my first fight with Ken. The other two fights with Ken just made it more memorable. I really took it to heart the first time against him, that I was good when I beat Ken and was dominant.

MMAToday: Which fight brought you the most satisfaction and which brought you the most disappointment?
TO: Satisfaction: The first fight with Ken, I came off a knee surgery and ACL injury and was dominant after 6 months being healthy. Second against Vladimir Matyushenko and dominated, that was the best shape I have ever been in.
Disappointment: Losing the title to Randy, that hurt the worst, I wasnt right for almost two months after. I had to find the motivation to keep going forward.
The second fight with Chuck this past December, I felt I let my fans down and I was in the best shape and brought my A game.

MMAToday: This past year was a busy one for you, after a year long layoff, with 4 fights. Are you planning on taking it a little slower this year?
TO: I am trying for 3 fights this year, I like being in the octagon. When I wasnt there it was about the money and paying bills, now its not about the money. I am having fun, and Im fighting to get my title back. I keep working and getting better and trying to be a better fighter. I would like to fight Chuck, I will fight him 5 or 6 times however many times it takes. Im confident now that I stood with him, and Im confident I can fix the mistakes I made. First thing I think of is who I have to fight to get back to the top and be in contention. I will crush anyone in the LHW division. I only lost to the top guys in the game Randy Couture, Frank Shamrock and Chuck Liddell. I still have a bright future ahead and my body feels good. I have no injuries my knee is great and my back is great.

MMAToday: What can we expect from you in 2007?
TO: More movies? My heart is really in fighting right now and Im in fighting mode. I want to keep going with Punishment Athletic. Im a business man then a fighter and then actor man but fighter first and foremost now. My next fight is in May against Keith Jardine.

MMAToday: Where do you see yourself in the UFC title picture at Light Heavyweight?
TO: Im in the top 3. I will fight any of them, I fought Liddell and made some mistakes but that wont happen again. He has been dominant and done what he has done, so have I and I will do it again.

MMAToday: What motivates you to continue fighting and training after an almost 10 year professional career of fighting?
TO: My fans and the drive to be the best. Its a mixture of both.

MMAToday: Who are your favorite fighters to watch?
TO: GSP #1. He has a hard work ethic and is very exciting, what he did to Matt Hughes was impressive. Brandon Vera is exciting and hits hard, hes a good wrestler and has good Jiu-jitsu.

MMAToday: Are there any fighters you want to fight that you havent had a chance to yet?
TO: Shogun Rua would be an awesome fight, Id love to fight him, Wanderlei just lost and Id love to fight him again. Dan Henderson would be great. Ill fight anyone and make it exciting for the fans. I just want to keep people buying pay per views and keep the fans entertained, me and chuck did it right and broke records for pay per view buys.

MMAToday: You have done a small bit of acting in recent years, is something you are looking to pursue?
TO: I was just on CBS Numbers in a small part last week. , I did a MadTV episode that will be airing in April or May. I have to make the right choices and I want to stay away from the fight movies and go more into action films.

MMAToday: Is there anything you would change in the UFC currently to make it safer rules wise for the fighter? Or any changes you would make?
TO: Everything is good; sometimes the referees need to be a little more knowledgeable in a championship fight. The fight with Liddell, the referee (Mario Yamasaki) was never in a huge fight. Big John knows what its like to be in those fights. He should have let us fight; Ill take a lot of damage, but dont stop the fight when Im getting hit in the arms. Let the fight go if Im defending those shots, a lot of them were hitting my forearms.

MMAToday: Can you request a referee for a fight?
TO: Athletic Commissions assign the refs, and they changed it to Yamasaki at the weigh-ins.

MMAToday: What do you think of the recent explosion of MMAs popularity over the last 2 years? Is it beneficial for everyone? The fans, the fighters and the promoters alike?
TO: I think its better for the fighters. As it gets bigger guys will be paid more. Making 2 grand a fight is BS, comes down to the fighters. You have to have more respect for yourself and not let them walk all over you. You have to hold out and demand more money. I think I was the first guy to really hold out; I was willing to hold out for what I believed in. But its a catch 22, if you sign the contract for making less money everyone bitches that you dont make enough, but they bitch if you ask for more. We top fighters are making good money, but its not about the money anymore for me, I just want to fight, I love to compete.

MMAToday: Any chance you would leave UFC?
TO: I really dont want to, I started here and I plan on finishing here. I hope they would promote me more. I dont see going anywhere else but you never know what happens, but my heart sticks with the UFC till they start treating me bad. I and Dana are having good feelings right now though.

MMAToday: Would you consider leaving to fight Silva and Shogun?
TO: I could make that decision but I worked hard to be where I am but I would go if they set it up, I think it just comes down to Ill fight any of them. Ill stomp anyone at 205, Im in the top 3 in the world and Ill beat Shogun, Henderson and Silva if I get the chance.

MMAToday: How did the TUF appearance change anything for you?
TO: The misconceptions people had of me. Im two separate people, I have a cocky attitude in the octagon but, but Im a caring person outside. It was a chance for my fans to see another side of me. You have to have charisma to be successful in the ring. When Im in the ring I know the angles I need to take like Muhammad Ali and Hulk Hogan, you have to be cocky and brash and thats how you attract the fans. My team did great and went 9-3; it was nice to know I had even a small part in that.

MMAToday: Would training young fighters be a goal after your fighting career is over?
TO: Maybe not but maybe, maybe do my own TV show, I love training and helping out with guys. I loved training kids when I was in college helping training at the local high school.

MMAToday: Is there anyone currently training with you that we should be on the lookout for?
TO: Not yet, after my fight Ive had a few guys trying to get a hold of me for training but Im picky, you need to be a hard worker and have the right attitude to train with us. Like Melvin Guillard, hes training with us, hes a hard worker and is rising fast. But we need a HW for Team Punishment, a big like around 6-3 to 6-5 around 265 pounds preferably a wrestler. We work hard and theres no one that trains like we do at Team Punishment.

MMAToday: You have been involved in numerous charities over the years, anyone you are working with now in particular?
TO: Doing motivational speaking at high schools and speaking to the Marines. Im going to the Armed Forces Day top speak in front of the Marines that just came back from and some that are going out to Iraq on May 19th in Banning, California from 11am -1pm . Im looking to work with inner city kids and training camps with them, nothing etched in stone yet but I really want to help kids.

Brian Robertson is owner and webmaster of www.mmatoday.com

An Interview with Rich "Ace" Franklin

Rich Ace Franklin is a former high school math teacher turned professional fighter, he has a Masters Degree in education and a Bachelors Degree in mathematics. He made his professional MMA debut in March of 2000 and has a record of 20 wins and only 2 losses. Rich became the UFC Middleweight(185 lb.) Champion by defeating Evan Tanner at UFC 53 and had 2 successful title defenses before losing his belt in October 2006 to Anderson The Spider Silva. Rich is widely considered one of the top Middleweights in the world and one of the most well rounded fighters in MMA.

MMAToday: You have a fight coming up at UFC 68 in Columbus, how has your training been going?
RF: Training is going well. I am healthy, my nose and hand both feel great, and my conditioning is on schedule.

MMAToday: How is it for you to be fighting in front of the home crowd?
RF: I dont think it will be much different for me. I fight on pay-per-view, so I am always fighting in front of my home crowd. The weigh-ins are going to be interesting though!

MMAToday: Does it motivate you more or make you work even harder coming off your first loss in almost 3 years?
RF: No, I think part of my problem is that I worked too hard for my last fight. It motivated me to work smarter.

MMAToday: What do you see yourself doing differently the next time around with Anderson Silva?
RF: I am not sure, and in the meantime I have at least 1 opponent to think about before him. I have not even looked at my Silva tape yet, and wont until I am ready to fight him again.

MMAToday: What do you think of your opponent Jason McDonald, who is coming off of two impressive wins?
RF: He is slick on the ground and I know he will plan on taking the fight there. I will have to be careful with that.

MMAToday: Have you done any extra training in any areas like: takedown defense, jiu jitsu or striking in anticipation of this fight?
RF: I do that kind of training for every fight, but we have focused on some situational training for Jason.

MMAToday: Do you see yourself getting a title shot immediately after this bout if you are victorious?
RF: I dont know and every time I try to make a prediction in this sport I am wrongwe will just have to see how things unfold for me.

MMAToday: What do you see in the future for 2007, possible opponents?
RF: I take this fight game one fight at a time. The only thing I see in 2007 so far is the March 3rd fight against Jason.

MMAToday: Who in the UFC would you like to fight that you have not fought yet?
RF: I have never concerned myself with other fightersI just want to get back on a winning track at this point.

MMAToday: Is there a possibility of you moving up to 205? As you are considered a massive 185lb fighter.
RF: You never know what the future holds. However, I need to focus on getting my 185 lb. Title back first.

MMAToday: What fight or fights in your career really stick out in your mind and why?
RF: The Ken Shamrock always comes to mind. Of coarse he is a legend, and that fight propelled my career.

MMAToday: What do you do in your spare time, when not training or promoting the UFC?
RF: I like to do anything that requires adrenaline. We played a game a paintball on quad runners the other day at my house. I like to read my Bible, and I just started playing the drums.

MMAToday: How much do you think you have changed as a fighter over the last three years? Do you see yourself as still evolving and getting better?
RF: I know I am getting better every day. The more advanced you become in any skill, the more enjoyment you have to find in the tiniest improvements of your game.

MMAToday: Is there a possibility of you ever leaving the UFC and going to another organization like Pride?
RF: Not likely

MMAToday: Is there anyone in Pride you would like to fight? (I had asked a few questions before this about possibilities of fighting other fighters)
RF: I dont care who I fight. I dont care about avenging losses. When I am finished fighting I want people to remember me as a great competitor. To accomplish this goal, I will fight anyone necessary.

MMAToday: Where do you see yourself in the overall rankings in your weight class?
RF: That is not for me to decide.

MMAToday: Is there any one fighter that you admire and why?
RF: Many! Randy Couture for defying age with his ability. Matt Hughes for his dominance. Jeremy Horn for his experienceI could go on.

MMAToday: What inspires you to fight and what keeps you motivated?
RF: You cant explain a thirst for competition to those who do not have it. I am a competitor.

MMAToday: What type of fight do you prefer to be in? Whether it be a ground fight or a standup battle, and why?
RF: I like the stand-up. It excites the crowd!!!

Brian Robertson is owner/webmaster of www.mmatoday.com

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It could be a deserted street at night with feet hurrying behind you. A situation where you’re alone with a stranger (or even someone you know). A bar where you get dragged (unwillingly) into a fight.

Self Defense Lessons From Football
Every football season teams try to figure out what can be done better, and how not to repeat the same mistakes. Put yourself in a life and death situation now - you don’t get another chance to evaluate what you did wrong.

The Pursuit of Perfection - Part 1
In the pursuit of perfection of character - the ultimate aim of karate-do - one learns a new mode of self-expression. In this way, verbal and body language take on new forms and meanings. As a result, we may better effect positive changes within - and without - ourselves, as well as more honestly and clearly express our inner hopes and desires.

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Before you begin your karate training I just only want to make sure you do some stretching first. It is basic but it is very important to improve your karate move flexibility. All of your muscle is subject to myotatic reflex. What the h**k is myotatic reflex? What is it doing with your karate training? Simply said, myotatic reflex is stretch reflex which opposes changes in muscle length, especially sudden or extreme changes. When a muscle lengthens beyond a certain point, the myotatic reflex causes it to tighten and attempt to shorten. This is the tension you feel during stretching exercises. In your karate training the myotatic reflex could prevent muscle strains and tears. Without the myotatic reflex your muscles would be allowed to overextend and tear easily. But it is also undesirable in cases where it prevents you from fully using your body. That is why stretching is important before you do your karate training. By stretching, you are entering the state where you gradually lessen the myotatic reflex little by little so you could teach your muscles a new limit of safe extension. I suggest your stretching must be slow and consistent. If you overstretch and injure the muscle, you have to go back to a lower level of flexibility and start over. Set your stretching for karate training goals over a period of weeks or months, not days, for best results. Now the question is what stretching method best for your karate training? There are three types of stretching method for your karate training: ballistic, dynamic, and static. Now I would not recommend a ballistic stretching for your karate training. By doing ballistic stretching you are using some type of moving pressure to stretch the target muscle. Why I said I would not recommend it? It is simply because ballistic stretching highly activates the myotatic reflex and causes the muscles to tense rather than relax, thus it has high risk that your karate training would end up by you taking injury. If you would like to increase your karate move flexibility it is best you are doing dynamic or static stretching. By doing dynamic stretching you are moving your muscle through its full range of movement, thus leading to greater flexibility in movement but should be done with caution so it does not become ballistic stretching (caution boy and gal, you dont want to get injured, do you?). To maintain a correct dynamic stretch, focus on smooth, even movements that do not shock the muscle. Examples of dynamic stretches are leg raises, knee raises, trunk circles, and arm circles. What about static stretching? Static stretching is a controlled stretch which means a specific muscle (or muscle group) is extended to the point of feeling slight pain and held in that position for ten to sixty seconds. And dont forget this during your karate training: when doing your static stretching it is best to concentrate on relaxing the target muscles and breathing deeply. Last but not least: begin your flexibility workout with several minutes of gross motor activity first in order to increase your blood flow. Making your blood flow increased improves the suppleness of the muscles. After that move to joint loosening exercises followed by dynamic stretches to the get the muscles moving freely. If you are working only on flexibility, do static stretches next. During your karate training, interspersing periods of static stretching throughout the workout works best because the range of motion increases as the body warms up. Do some light static stretches at the end of every workout to relax and refresh your muscles. Now you will learn what should not be done during your karate training. Stretching is important but do not overstretch it. A mild sensation of burning or pulling should be felt in the target muscles. It should be uncomfortable but not unbearable. Flexibility in karate is important, so is strength. Always increase your strength and flexibility together. Focusing too heavily on one side in your karate training will only making you have weakness. Dont let it happen especially when your opponent sees it and making advantage over you because of this. You should avoid bouncing too much during a stretch. Bouncing causes the muscles to tighten and heightens the risk of injury. If you ever feel pain in your joints during stretch exercise stop immediately and discontinue that exercise. Something not right and if you continue it will only making injury for you. Follow instructions for exercises carefully. There is right and wrong way to stretch every muscle. Good flexibility exercises are designed to provide a maximum stretch with a minimum risk of injury. When doing flexibility exercises that require bending at the waist, always bend from the hip, not the lower back. The lower back is extremely vulnerable to injuries. Do gravity assisted stretches with caution and only after fully warming up. Gravity assisted stretches are exercises like splits that use the force of gravity to increase the pressure on the stretch. Thats it! Now you have already understand how to increase your karate move flexibility and what should not be done during your training. Happy karate training.

To see more about my articles please visit http://completekarateinfo.blogspot.com

Kung Fu: History And Basic Principles
The Term:

Historically, the term ?Kung Fu? is not really featured in any ancient texts. It was first coined by a Frenchman named Jean Joseph Marie Amiot, a missionary who lived in the 18th Century, in reference to Chinese martial arts. Kung Fu is also called Gongfu, Wushu, or Kuoshu, and originally denotes expertise in any skill, and not exclusive to martial arts.

Brief History:

The practice, philosophy, and concept of Kung Fu can be traced back to ancient Chinese texts such as Zhuang Zi, Dao De Jing, and Sun Zi Bing Fa (Art of War written by Sun Zi), all written between 1111-255 BC. These texts contain passages related to the practice, propagation, and principles of Chinese martial arts, or Kung Fu as it is known today.

One theory regarding the first written history of Kung Fu suggests that the Yellow Emperor, who reigned from 2698 BC, wrote the first treatise on Chinese martial arts. Others give credit to Taoist monks for introducing an art form that resemble modern Tai Chi around 500 BC. Then in 39-92 AD, Pan Ku included “Six Chapters of Hand Fighting” in his discourse on the history of the Han dynasty (Han Shu). As the popularity of martial arts progressed, a physician named Hua T?uo also wrote his own treatise entitled, ?Five Animals Play” in 220 AD.

Kung Fu had become a common word in the West beginning in the late 1960s, popularized by martial arts movies and TV series. The Western world today has also seen an immense upsurge in the creation and production of martial arts movies starring great actors/masters such as Jackie Chan and Jet Li.

Basic Principles:

The concept of Kung Fu revolves around three basic principles ? Motivation, Self-discipline and Time.

According to experts, the real motivation behind learning Kung Fu is inspiration and not force, which should come from an inner craving to learn and develop the mind and body. Motivation here is the fundamental driving force. There is no external or worldly gain for the learner, and the only reward is that of knowledge, skill, strength and wisdom.

In Kung Fu, discipline is complementary to motivation. Discipline puts motivation into deed and action. A learner has to make an effort into what he has been motivated for, and self-discipline helps him get started and guides him to achieve that goal. Therefore, without discipline, motivation is just a dormant state of mind.

Time is the path to perfection in martial arts. Once motivation and self-discipline have set in, a learner has to spend a considerable amount of time putting mind and body into practice. A truly inspired learner does not have the privilege to waste time, stay idle or indulge in fruitless activities. Everything done by him/her should reflect real motivation and self-discipline.

Variants and Styles:

With the passage of time, numerous variants and styles have come up in martial arts, or Kung Fu. Some of the more popular ones include Karate, Escrima, Wing Chun, Jujitsu, Judo, Tae Kwon Do, Shaolin, White Crane, T’ai Chi Ch’uan, and Bagua Zhang.

<a href="http://martialarts-hq.com/">Martial Arts HQ</a> offers articles, tips and tricks about different martial arts.

Defense against a knife attack
Defences against Knife attacks, Firstly if at all possible get yourself and anyone else out of the potential danger area…..RUN AWAY.
Yes you heard right, run away. This is not a cowards way out, this is sensible. After all your potential assailant could be on drugs or just plain crazy. Nobody needs a dead hero.
However if you can’t get away or you are cornered, try to talk your way out of the situation, tell the guy what he wants to hear or give him what he wants, if it’s a mugging, but only if you think this will pacify him…
Let me explain. If it is apparent that your assailant is going to stab you whether you give him all your money or not then you must do something about the situation before this happens, either way you may get stabbed. Thats why this is a last resort and only attempted if YOU are certain he is going to attack you no matter what.
It’s a judgement call that only you can make and if you ever do end up in that situation it won’t be easy.
So, you’re in that nightmare situation. How do you tackle him ?
Do you use the knife defences you learned in your martial arts classes ? I hope not because you’ll very soon be bleeding to death if your assailant has any idea how to use the knife.
I tried an experiment about 5 years ago now with my training partner who is very fast with his hands and can handle a knife. We used a dummy knife (Thankfully) with some red ink on the end of it and I wore a white Gi.
I had at this time been training in the martial arts for about 16 years and had learned many many knife defences from many different styles so I was sure that whatever he came at me with I would be able to handle it.
He moved the knife very quickly from hand to hand and attacked from a variety of angles, slashing, lunging and really going for it. I successfully disarmed him several times, but each time he had also stabbed me several times (This is why the Police and Prison service use riot shields and several officers when dealing with knife attackers).
We worked this scenario using all the knife defences we had both learned from many different styles over the years but the one factor that kept coming up was the fact that this was simulating a real situation, so the attacker wasn’t in stance and didn’t come with a single attack in a straight line, he’d attack several times from any angle very fast.
What we were looking for was something that kept your vital organs as far away from the knife as possible whilst allowing you to attack the assailant.
Here’s what we came up with: (This is just my opinion, based on over 20 years martial arts experience, and this one worked time after time. But remember only use as a last resort)
First you must take your attackers mind off what he’s thinking about (I.e. stabbing you !) ………Spit in his face, not nice but remember this guy wants to stab you !
This gives you a fraction of a second to move.
Next, drop to your side, fast ! (Side breakfall) As you do this hook one of your feet round the back of his front foot and with your other foot, stamp hard onto the front of his knee. This will either snap or dislocate it (Again not nice but this guys going to stab you !) It also doesn’t matter too much if you miss with the hook as you can still get the stamp in on the knee.
Either disarm him while he’s on the floor and wait for the Police or just get out of there, he won’t chase you.
The fall and hook take some practice to get fast but it’s worth it as this is one well worth having in your arsenal.

The Author has achieved 5th Dan Black belt in Karate Jitsu, 3rd Dan in Jujitsu and has practised martial arts for over 23 years.

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WORLDS LARGEST MARTIAL ARTS HALL OF FAME BANQUET , EXPO and TRADE SHOW MEGA MARTIAL ARTS WEEKEND was held Jan. 5-7th at the Tropicana in Atlantic City, N.J. This event was attended by thousands of martial artists.

Black Salt Films Speaking to October Pictures Ltd
October Pictures Limited out of Hong Kong has expressed a very strong interest in working with the “Black Salt” film project

Qinna (Chin-Na) Seminar in Maryland, March 25
Qinna workshop in Maryland by Master Willy Lin. Qinna (Chin-Na) is the Chinese martial art of joint locking.

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THE KENSHIRO ABBE 50th CELEBRATION EVENT
14th May 2005 Crystal Palace Sports Centre London. UK
By Henry Ellis

Henry Ellis, a direct student of the legendary Budo master Kenshiro Abbe Sensei, from 1957 describes the great event at the Crystal Palace Sports Centre, London, to celebrate this great teacher and his arrival to Great Britain in 1955 and the subsequent inception of Aikido. Tribute website to Kenshiro Abbe Sensei at http://www.KenshiroAbbe.com . . .

The Bushido ZaZen International Society Annual Dinner

In February 2004 Derek Eastman and I were invited as guests at the annual dinner of The Bushido Za Zen International Society by its Chairman Mr Arnold Davies Hanshi an old student of Kenshiro Abbe Sensei and a close friend of my own good friend Bill Woods Sensei. These names alone meant that this evening was to be something special with so much history and martial arts background between us.

As we arrived we were met by Mr Clive MacDonald, a member of the Bushido ZaZen. Mr MacDonald and Mr Davies had been instrumental in putting together many of the facts to help with the protection of the true history of British Aikido during the great British Aikido Board Controversy.

Memories of Kenshiro Abbe Sensei

Mr MacDonald immediately brought several pints of beer to our table and from then on the conversation flowed along with the beer. As we spoke of our memories of the legendary master, Kenshiro Abbe Sensei, I said ” Do you realize that it is 50 years next year since Abbe Sensei arrived in Britain ! “. We all discussed the importance of this date, I then suggested that, as we all belonged to the Essex Aikido Forum ( EAF ), which is a group of like minded people interested only in Aikido without its politics, we agreed that we should organise a celebration of such an important date. Mr MacDonald called over Mr Davies who, without a moments hesitation, gave the event his full support and financial backing.

The Organising Committee

Before the evening was over we realised that this event would be bigger than anything ever previously organised by the EAF or any other Aikido organisation for that matter. We decided there and then that we would need a working committee if we were to put this very special event together. Mr MacDonald approached two other senior EAF member, Mr Mike Leavy and Mr Eric Gillett, who agreed to join our organising committee. I then approached Mr David Humm the administrator of the very popular website the ” National Aikido Communication DataBase ” . Mr Humm had also been involved in our efforts to protect the history of British Aikido. He also became a willing committee member. Mr Rob Peck agreed to be the secretary We now had a full committee of seven members who were now totally committed and dedicated to putting together the greatest Aikido seminar ever in the United Kingdom. I don’t believe that any one of us on this night were able to grasp the enormity of the task we had pledged to undertake.

The Venue

As the word spread throughout the Aikido and MartialArts communities and, from the interest that was now being generated, we now knew that we would need a prestigious venue After much deliberation and following a visit to Crystal Palace Sports Centre, we soon realised that this was to be the final venue. This was to be a wise decision as, with its great hall and facilities along with the accommodation blocks and restaurants, It would later prove to be capable of hosting the planned event comfortably. The event attracted 430 students. 60 guests, 370 spectators and visitors totalling almost one thousand people on the day With students from all over the UK — USA — France — Holland — Germany, Czechoslvakia.

The Teachers of the Day

As this day was to celebrate the arrival in the UK of Kenshiro Abbe Sensei in 1955, and the subsequent inception of Aikido. It was decided to invite the five surviving direct students of Abbe Sensei from the 1950’s/60’s mentioned below.

I, Henry Ellis and Derek Eastman had already agreed, now I had to approach my old friends, Sensei Ralph Reynolds and Sensei Hayden Foster, who willingly offered their support.

Sensei Ken Williams, first student of Abbe Sensei, was also approached. He had to decline due to prior commitments. He did however provided a letter of dedication to be read out at the event. I then approached Sensei Bill Smith Shihan MBE, who sadly had to decline due to health issues. His son Phillip attended to represent his father and the AikiKai. Now we had a full Aikido teaching team. The event was officially under-way. We also received a letter of tribute to the memory of Abbe Sensei from the Doshu Moriteru Ueshiba ..

The Guests

The guest list was a who’s who of the Martial-Arts world in the UK. There were 60 guests and, with respect, I am unable to mention them all but, the following will give some insight.

Mr F Motai of the Japanese Embassy — Sensei Bill Woods Aide / Secretary to Kenshiro Abbe Sensei 1955 - Sensei Bill Stopps, Personal Aide to Matsutaro Otani Sensei from 1947. - Sensei Robin Otani, Pesident of the British Judo Council. - Mr P, Don of Sport England. - Sensei N Jones, my personal guest. - Ms Jenny Earle, World Judo champion.

Mr Ken Cottier Shihan, a member of the Aiki-Kai World Council. Mr Gigs Shouten, a special guest from Holland. Joe Curran Sensei who read a letter of tribute to Abbe Sensei from Kazuo Chiba Shihan.

The Budo Demonstrations

During the mid day part of the event there was a break for the students while the Budo demonstrations were carried out by some of the very best exponents of the various arts on display. This was a unique event where students were now able to witness many of the Budo arts that they had never seen before.

Aikido -Judo — Karate — Iaido — Kyudo — Kendo — JuJutsu — Ju Kendo

The Event and The Day

This was a very wonderful and special day for me after almost 50 years of practicing Aikido. On the morning of the event as I entered the great hall at Crystal Palace Sports Centre to the electrifying sound of the Taiko Drummers and masses of students around the mat area plus many more queuing at the door to register. I walked onto the concourse floor to see all the various stalls set out. Mr Don Baney a specialist in Japanese works of art had a fine display of Samurai armour and swords, for more information visit: http://www.geocities.com/britishaikido/japanese_swords.htm The atmosphere was fantastic, an indication of the great day ahead. I met so many people that I had not seen for so many years.

There was a raffle at the end of the day with a prized valuable ShinKen sword, presented by Nine Circles Budo Equipment Supplies. A hand made Tanto presented by Sensei Dave Rogers of New Mexic,o USA. Other prizes included the book ” Positive Aikido”, Gi’s, bokkens, shinai’s and many commemorative T-Shirts.

This was indeed a very special day.

I was privileged to be at the great event in 1963 held by Abbe Sensei at the Royal Albert Hall in London where I was assistant to Mikoto Nakazono Sensei. I never thought that I would ever see another event to equal that one. On this day of celebration and commemoration of the life of Abbe Sensei, I believe I saw the event to eclipse all others.

Henry Ellis Event Liasion Officer
Co-Author of Positive Aikido
Principal Coach Ellis Schools of Traditional Aikido
http://www.EllisAikido.org
http://www.geocities.com/britishAikido

Henry Ellis born 1936. Co -author of Positive Aikido. A direct student of the legendary Budo master Kenshiro Abbe Sensei from 1957. Ellis has had articles published in several International Martial Arts magazines, he has written several articles on the proud history and lineage of British Aikido. Protecting the legacy left by Abbe Sensei from those that have attempted to alter the facts to advance their insatiable ego’s.

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Henry Ellis co-author of Positive Aikido and the Principal Coach of the Ellis SChools of Traditional Aikido UK - USA.. He is a direct student from 1957 of the legendary Budo master Kenshiro Abbe Sensie. Ellis has written many articles on the history and lineage of British Aikido, several articles have been published in International Martial Arts magazines.

Wing Chun - Chinese Martial Art
Brief History:

Wing Chun (also known as Wing Tsun, Ving Chun or Ving Tsun) is one of the most popular types of Chinese martial arts. Though it?s basically an unarmed combat technique, Wing Chun may include weapons as part of its course. The origin of Wing Chun can be traced back to China, but the real history of its creation has long been a topic of much debate. The most credible suggestion regarding the origin of Wing Chun dates back to 1700 AD in the Henan Shaolin Monastery.

When the Qing forces raided and ravaged the Southern Shaolin temple, a nun named Ng Mui fled to the distant Daliang Mountains, the only survivor. Ng Mui already had knowledge of Kung Fu in the Shaolin temple, which she assimilated with a new form she had learnt while observing a battle between a snake and a crane. She taught this new combat style to her adopted daughter whom she named Yimm Wing Chun. The new system was refined and then passed on from generation to generation, and was eventually named Wing Chun, after Yimm.

The modernization of Wing Chun started in Hong Kong during the 1950s under a Grandmaster called Yip Man. The discipline began to gain real popularity in Asia and the West when actor Bruce Lee became one of the most famous Wing Chun practitioners.

The Concept of Wing Chun:

Wing Chun is based on three basic principles - Practicality, Efficiency and Economy of Movement.

1. Practicality: Techniques such as Palm-up Hand (tan sau), Wing Arm (bong sau), Slapping Hand (pak sau) are designed to maim the most sensitive or vulnerable parts of the opponent?s body such as throat, groin, eyes and lower torso. Many movements and techniques in Wing Chun are often meant to be fatal.

2. Efficiency: Wing Chun does not use force against force, in order to gain the most efficient manipulation of the body’s energy. It believes in accurately timed and appropriately positioned little movements, and counter-attack is based on the opponent?s own force. This concept is also called Contact Reflexes.

3. Economy of Movement: This is a linear concept in which movements are based on an imaginary pole running vertically through the center of the body. The Center Line spreads out from this Mother Line, and since most of the vital points of the body are located along the Center Line, many offensive and defensive movements are based on this line. The Central Line, on the other hand, is the shortest path between the fighters where most of the combat exchanges take place.

Wing Chun Forms:

There are three basic forms in Wing Chun:

1. Empty Hand Form: This form has three more sub-forms - Siu Nim Tao - the foundation of the art, Chum Kiu - focus on advanced footwork and entry techniques, and Biu Jee - extreme short-range or long-range techniques, low kicks and sweeps, and emergency techniques.

2. Weapon Forms: The Dragon Pole and Butterfly Swords are the two forms of weapons incorporated in Wing Chun, categorized under advanced training.

3. Wooden Dummy or the Muk Yan Jong Form: A dummy made from several wooden posts represents a human opponent. The contraption is used to perfect angle, position, and footwork.

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Tai Chi is an internal martial art which can be soft and gentle. It can and should be practised in a flowing way for practitioners of any age. Particlularly, in China and the est nowadays, people ove r 50 are taking up tai chi whilst the younger generation in china are not so interested in such a traditional art! Tai chi has been proven by the 3000 years of Chinese experience and recent medical studies into te benefits of qigong tai chi is acomplete qigong to be beneficial to the health of the individual practioner. Complete recovery of from diseases from cancer to colds has been documented through diligent pratice of tai chi. Tai chi can also be used to control arthritis. It is recommended that you learn under a highly experienced instructor, who has over 10 years of experience and has learned in China or from a well-recognized master with verificable “lineage”. This is because you want to be learning the real thing and benefitting by clearer mind, healthier body and gradual recovery from any health challeneges you may have experienced or be experienceing. Enjoying it so far: click here> Tai chi chuan means “supreme ultimate fist”. What does “supreme ultimate” mean to you? Tai chi is really about the cultivation of mind, body, spirit and also to kinds of energy, which we don’t have a proper concept of in the West. Those are internal energy, or chi which is present in the body from birth and we also get it from air and food. External energy is the energy that is in the universe. We learn to build up the chi in our bodies in tai chi and that helps us to improve our health. This is the medical aspect of tai chi. We learn to utilize the external energy in tai chi which is the martial aspect of the martial art of tai chi. Tai chi is said to have been invented approximately 5000 years ago, legend has it either by a Taoist priest named Chang Seng Feng or passed to the ancient Chinese people by a group of people reputed to have been 7ft tall and these people - “the sons of reflected light” are said to have taught the arts to the chinese which has made their civilisation so advanced since as long as 3000 year ago as documented by discoveries of the porcelain and silk items in archaeology. Chang Seng Feng is reported to have witnessed a fight between a crane and a snake and noticed the yielding and striking qualities of these animals and designed tai chi based on observations of nature. Tai chi is thus performed slowly and changingly, “flowing like a river” to promote longevity and health. does the tortoise or the elephant move quickly and fast? And how long do these creratures live for? Is it not possible then that we should slow down in our lives and relax like these long-living creature to improve our own chances of living long lives? We imitate the movements of many animals in the tai chi form - a sequence of movements or postures which flow into each other. These stretching and strengthening exercises have very poetic names, beautiful such as White Crane Spreads Its Wings, Golden cock Stands On one Leg and Fair Lady Weaves The Shuttles. Tai chi is a healthy exercise which improves circulation. The author used to be a medical student at Sheffield university and notes that Tai chi was used in the Royal Hallamshire Hospital to aid recovery for heart attack patients. Tai chi incorporates breathing and movement as well as internal assage of the body’s organs and stretching of muscles, tendons and ligaments. Keeping a clear mind is important and whilst the exercise is anaerobic, i.e. not strenuous, the body feel invigorated after proper practice and one can feel energy circulating in the body after practice -so don’t overdo it. The key is consistent daily practice and taking responsibility for your health 100% Sam Beatson runs http://www.tai-chi-kung-fu.com

Sam Beatson Runs Several
http://www.tai-chi-kung-fu.com and http://www.tai-chi-kung-fu.gods-internet.com

Kendo - General Background
On first impressions, Kendo appears to be very aggressive and physical, with the dynamics of a fast-striking actiong and high-pitched screams. Yet it is an art that places great emphasis on the development of high level of skill in concentration, timing, awareness, physical agility, footwork, body movement and inherent respect. Kendo was derived from the ancient art of Japanese Samurai swordsmanship. Armour is worn for protection and sword, made of 4 sections of bamboo is bound together to make what is known as sinhai. History: Kenjutsu is an ancient martial art, dating back to before 1590, followed by Kendo, which had more intellectual and philosophical characteristics. Kenjutsu became modern Kendo, which has developed a sport-oriented nature that still embodies many of the traditional values. While Kendo is very much a modern art that has been influenced by Kenjutsu, its roots can be traced back as far as AD 789, through the history of the art of the sword which is linked inextricably to the history of ancient Japan. It was at this time that Komutachi, the sword exercise, was introduced as in instruction for the sons of the kuge (noblemen) in the city of Nara, then the capital of Japan. Aim of Kendo: The aim of Kendo is for kendoka to react intuitively, with fluency and elegance. Speed and body movement are of the utmost importance in the delivery of a skillful technique. Yet the aim is not to be the first one to score a point or to win in the Kendo practice, but to work together, striving towards good technique, giving and taking along the way. Only in competitions should this philosophical aim be different. On first learning Kendo, or any other martial, it is very important to tread slowly. It is very essential to tread slowly because it is easy when people wear armour so suddenly to feel they can dive in regardless, without appreciating the need for continual practice to develop the skills to a standard acceptable in the art. It is important not only to demonstrate proficiency in the art but to ensure safe practice, both for an individual and his/her partner. Kendo places great emphasis on moral values, discipline and self control. Kendo should not be seen as a sport to be participated in for a few years, but as a lifetimes study. Mental and physical controls are of paramount importance, since the balance of the 2 leads to harmony, not only in the art itself, but in the general well-being. It is for this reason that there are 4 deep-rooted mental hurdles that a kendoka ought to overcome: fear, doubt, surprise and confusion. Collectively, these are known as the 4 poisons of Kendo.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

Karate - General Background
Karate, or Karate-do, loosely translates empty hand (”kara” means empty and “te” means hand). This art is indeed predominantly concerned with fighting with bare hands and feet. The basic principle is to turn the body into an effective weapon to defend and attack when and where it is appropriate. History:
Karate is one of the most widely practised of the oriental martial arts. It evolved during one of the Japanese occupations of the island of Okinawa, part of the Ryukyu chain of islands, in the 15th century. Its roots, however, can be traced back much further than this - all the way back to ancient India. Many people hold the view that what we regard today as the oriental martial arts have their roots in India. In fact, when we look at such disciplines as yoga and the breathing techniques that originated in India, there does seem to be a great similarity between those and many of the modern martial arts systems. Zen Buddhist monks took the Indian fighting techniques to China from as early as the 5th century BC. Bodhidharma, an Indian monk, travelled at the end of the 5th century AD from India to China, where he became an instructor at the Shaolin monastery. He taught a combination of empty hand fighting systems and yoga. This became the well-known Shaolin Kong Fu - the system on which many Chinese martial arts systems are based. In 1470, the Japanese had occupied the island of Okinawa. The law of the land dictated that anybody found carrying weapons would be put to death. In order to protect themselves from local bandits, who largely ignored the prohibition on weapons, Zen Buddhist monks developed the empty hand system known as “te”, importing new techniques from China. Eventually the new art was translated as “t’ang” (China hand), but was familiarly known as “Okinawa-te” (Okinawa hand). It was not until the 20th century that t’ang became known as Karate-do. The suffix do was added by Gichin Funakoshi’s son Yoshitaka Funakoshi, in friendly opposition to his father’s Okinawa-te style. Practice and demonstrations until that time had been extremely violent. Punches were not pulled and full contact was an integral part of the Okinawa-te style. Yoshitaka Funakoshi transformed the techniques of Okinawa-te into a gentler system, seeking not to deliver blows fully, but to focus strikes at skin level. The do suffix expressed the move away from the aim of the warrior and towards physical and spiritual development. Styles:
There are numerous styles of karate practised. Wado Ryu and Shotokan are just 2 of them. Other popular systems include Shinto Ryu, developed in 1948, and now one of the main systems in the world. It is also important to realise that the various styles of Karate are the results of the personal ideas of many individuals about how each basic technique should be carried out or applied. The different techniques within the styles of Karate also dictate whether strength, speed, hand or leg techniques are emphasised. Competitive Karate:
Karate has been a self defense system and a form of physical exercise. The competitive and sporting elements have a further part to play in the individual’s enjoyment of this activity. It is because of the possibility of participation in competition that many people take up this art. Competition is not the only reason for engaging in this art. It is possible to learn Karate without participating in competitions, however for some people, competition provides motivation and stimulation for training. The sense of achievement that comes from just taking part can be carried over into everyday life.

- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.

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Qinna workshop in Maryland by Master Willy Lin. Qinna (Chin-Na) is the Chinese martial art of joint locking.

Solis Releases Chuck Liddell, The Iceman Affliction Signature Tee in UFC 71
Chuck Liddell, “the Iceman”,” releases his new Affliction UFC Signature Series at Solis, www.soliscompany.com. Liddell is the current Lightweight Champion of the world for the Ultimate Fighting Championship. Chuck Liddell defends his title on May 26, 2007 at the MGM in Las Vegas in UFC 71.

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The front kick is nearly always the first kick taught at many martial arts schools. It is relatively easy to learn, needing only a few minutes of practice to be able to obtain the basic grasp of it. It has different ways of being applied with different areas of the foot for striking. So why is it not seen as a major kick for most fighters.

Martial Arts Teachers - Managing Your Business Time
Why do some school owners always seem to be busy, work really hard but never seem to achieve what they deserve from their martial arts business? Well many years ago I was one of these persons until I realised I needed to improve the results I was getting from the effort I was putting in.

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Zuluzinho the 200cm/155kg fighter touted as the “Brazilian Bob Sapp” is to fight at Cagewarriors Strike Force 2 on July 16th in Coventry, England.

The Mega Martial Arts Expo in Atlantic City Attracts more Celebrities
The Mega Martial Arts Expo is attracting more celebrities from the Hollywood and Music Worlds this weekend.

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Feature film SUNLAND HEAT to debut on DVD and VHS for Rental and Sell-Through Markets August 9, 2005

Blockbuster film “Elektra” co-star headed to Atlantic City in January 2005
Cary Tagawa of the upcoming blockbuster film “Elektra” will be attending the Mega Martial Arts Expo at the Tropicana hotel and casino in Atlantic City NJ.

Face-to-Face Encounters with Modern Day Martial Arts Masters!
Camp Budoshin is the premier martial arts training day in all of Southern California. If you want to learn about all types of martial arts, from the leading experts, you don’t want to miss it!

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Brief History:

Jujitsu is a 2500 year old unarmed combat discipline that has its roots in ancient Japan. The exact date on the creation of this martial art form is hard to trace but techniques resembling that of Jujitsu had already been incorporated into the training methods of the Samurai, from the 8th to the 6th centuries. Earliest Japanese historical records such as the Kojiki (Record of Ancient Matters) and the Nihon Shoki (Chronicles of Japan) also have passages related to unarmed combat systems.

Before this Japanese martial art developed into what we know as Jujitsu today, there were many other Japanese combat techniques such as Kogusoku, yawara, kumiuchi, and hakuda etc, also collectively known as Sengoku Jujutsu. Traditions finally gave rise to the modern Nihon Jujutsu we know today, which is classified under Edo Jujutsu ? the true unarmed Japanese combat system.

Jujitsu gained prominence during the reign of Tokugawa in the 1600s but was soon alienated when Emperor Melse regained power. However, towards the mid-20th century, the ban on Jujitsu in Japan was lifted, following the Meiji restoration, and the combat art form began to be widely practiced.

The Philosophy:

Jujitsu revolves around three basic states of mind ? Zanshin, Mushin and Fudoshin. The proper combination of these elements gave the power, preparation and potential to the practitioner to excel in the Jujitsu art.

1. Zanshin ? ?remaining spirit? ? connotes the readiness for anything at any given time.

2. Mushin ? ?no mind? ? Its spontaneity permits instantaneous action without conscious thought.

3. Fudoshin - “immovable mind” ?during times of confrontation.

Basic Methods:

Jujitsu is a circular, hard and soft, external combat style. The basic techniques of attacks includes throws, locks, hitting and striking, thrusting and punching, pinning and immobilizing, strangling and joint-locking, with strong emphasis on throws, locks, and defensive techniques. In-fighting and close work are also focused upon.

Even though Jujitsu is basically an unarmed fighting system, small weapons like the Jitte (truncheon), Tanto (knife), or Kakushi Buki (hidden weapons), which include the Ryofundo Kusari (weighted chain) or the Bankokuchoki (a type of knuckle-duster) may also be used in combat.

Competition Systems:

Conventional Jujitsu can be dangerous, or maybe even fatal if its fundamental techniques were to be applied. So, in order to make the art a safer sport for the competitive arena, systems and rules have to be introduced. That is why most of the competition methods have incorporated ?Half-contact?, which prohibits serious attempts to knock out an opponent.

1. The Fighting System: This is the most popular method, divided into three phases. The first is for striking only, the second for striking, grappling and throwing, and the third includes ground-fighting such as chokeholds.

2. The Practical System: According to this rule, two defenders are surrounded by four attackers from four corners. Highest points go to the best defender judged upon effectiveness, oversight and control of the situation.

3. The Duo System: In this system, contestants are randomly chosen and awarded points for effective defences. The attacks are divided into four groups of five attacks each.

4. Combat Jujitsu: The most recent system developed in the United States. Victory in the competition is based on submission. The combat round between the two opponents lasts for not more than two minutes.

<a href="http://martialarts-hq.com/">Martial Arts HQ</a> offers articles, tips and tricks about different martial arts.

Interview with Tito ortiz
MMAToday: How are you doing?
TO: Great! I just got back from a month of vacation and I am feeling good.

MMAToday: Have you returned to training since your last fight?
TO: Just started training again lightly about a week ago getting ready to get all the way into it

MMAToday: How much training time do you plan to put in before your next fight?
TO: About 2 full months

MMAToday: What brought you into competing in MMA?
TO: I was in wrestling in high school and college, started as Tank Abbots training partner. I started really getting into the UFC when they started having weight classes since I competed at 199 so 205 was a natural fit for me. Just the love of competition. I fought my first fight for free because I was still in college and would lose my scholarship if I was paid.

MMAToday: What training and experience did you have that made you know you would be successful at it?
TO: Just wrestling, growing up with older brothers who used to beat me up a lot, and I started training boxing in my garage in high school

MMAToday: What fighters early in your career did you admire and maybe try to model your training and fighting style after?
TO: Royce Gracie, Ken Shamrock and Tank, tried to take lessons from what they had done and been successful at and incorporate it all. Guys like Frank Shamrock knew the whole game and his cardio was awesome. I didnt try to be like anyone else really but learn from them and take that and add it all up to make the perfect fighter.

MMAToday: Are there any fighters you look up to now?
TO: Not anyone now currently, but I look at people who put it all together like Ali, Bruce Lee 30 years ago. GSP and BJ are great fighters. I cant respect anyone in my weight class anymore because I get caught up in watching them and being in awe instead of stomping on them, which is what I need to be do doing.

MMAToday: One fight that is noted as making a big difference early in your training and career was against Frank Shamrock, how did that fight affect you?
TO: I trained with Frank after the loss for a couple weeks, got to see what it took to be a top contender. I lost to Frank because of conditioning. Frank helped teach me about heart rate and rest. I learned about recovery times. After only fighting for almost 2 years and training with Frank I was able to go at it with Wanderlei Silva for 5 full rounds at full speed.

MMAToday: How was it the first time you won a UFC Championship? How did you feel afterwards?
TO: When I first won it was amazing but I had another goal and that was to keep the belt. Dont get me wrong I slept with that belt for the first month after I got it, but I wanted to keep it. I wanted to keep it longer than anyone ever had and break the record for it, and be dominant and I did that.

MMAToday: What fight or fights for you are the most memorable of your career?
TO: Theres a few. First beating Silva for the title and my first fight with Ken. The other two fights with Ken just made it more memorable. I really took it to heart the first time against him, that I was good when I beat Ken and was dominant.

MMAToday: Which fight brought you the most satisfaction and which brought you the most disappointment?
TO: Satisfaction: The first fight with Ken, I came off a knee surgery and ACL injury and was dominant after 6 months being healthy. Second against Vladimir Matyushenko and dominated, that was the best shape I have ever been in.
Disappointment: Losing the title to Randy, that hurt the worst, I wasnt right for almost two months after. I had to find the motivation to keep going forward.
The second fight with Chuck this past Decemb