Shotokan Karate - General (martial art book) Background
January 29th, 2008
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History: Shotokan is both a young and an . It is ancient because its roots are deeply entrenched in the past, and young because, as it is expressed today, it is an art that is less than a 100 years old. Shotokan is characterised by its long and low stances, its powerful techniques and its dynamic forms. The founder of Shotokan, Gichin Funakoshi, was an Okinawan. He trained in the oldest of the Okinawan te (hand) systems as a young man and in the early 20th century brought what he had learned in the island of Okinawa to mainland Japan, where he demonstrated his art before the Emperor. He originally intended to return to Okinawa but was persuaded to to remain and continue teaching in Japan. Funakoshi’s pen name was Shoto (waving pines) and kan (hall). Hence Shotokan can be translated to mean “Shoto’s hall of the way of the empty hand”. While Funakoshi was the originator of Shotokan, it was really his son, Yoshitaka Funakoshi, who developed it into the form we know today. It rapidly grew in popularity, supported, encouraged and regulated by the powerful Japan Karate Association. Before long, it was to be found all over the world. Triads: Shotokan is built on what are known as triads, which are both real organisations and metaphors for something much deeper within the human psyche. There exists the physical triad of kihon (basics), kumite (sparring) and kata (forms), which require dedicated training and the constant perfecting of technique. This is followed by the moral triad of justice, mercy and compassion and finally by the ethical triad of duty, honour and loyalty. If we put all of the 9 triad principles together (9 symbolises perfection) we achieve the whole, rounded person. When these principles are practised in a martial art, they illustrate one of the fundamental concepts of Shotokan, as advocated by the founder, Gichin Funakoshi. His aim was to focus on the development of the human character as a whole being, rather than on winning and losing. Significance: While Shotokan is a wonderful form of relaxation or sport for many people, for those who practise it seriously it has a much deeper and wider significance. This deeper realisation, however, can only come after years of dedicated practice. While this is a dimension of the art that emerges rather slowly, Shotokan can still be enjoyed at all levels by hundreds of thousands of people throughout the world.
- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.
Bollywood Movie Review - Lage Raho Munnabhai
Okay fingers up, how many of you have seen this movie? May not be a blockbuster or a box office hit hindi movie but it is definitely worth a watch. Perhaps more than once. Why? Just imagine, Sanjay Dutt tackling his enemy by following the principles of Mahatma Gandhi. For the uninitiated, he is a beefcaked bollywood actor with a really mean mafia look who looks like a former Brisbane Lions regular player. I was refering to the former of course. This is definitely one of my favourite movies as the story, screenplay and entertainment factors are brought up very well. This movie goes down as one of the most meaningful movies in Indian film industry. The essence of the movie is about applying the teachings of Gandhi in today’s world and downright hilariousness is ensured from the pairing of Arshad Warsi and Sanjay Dutt. Hahaha… watch it. No seriously… watch it. Story: This is the second installment to the Munnabhai MBBS movie series. The kind hearted don, Munnabhai (played by Sanjay Dutt), researches day and night on Mahatma Gandhi in order to impress the lady of his dreams and that is when Gandhi appears in front of him either as a soul or a figment of Munnabhais hallucination. An adventure then starts in a meaningful way for him where he learns how to deal with people and their problems by applying Gandhis principles. Screenplay: Perhaps the sole challenge of the movie is the application of Gandhis philosophy to solve todays people related problems and it is carried out so well in the movie. The comic timing of Sanjay Dutt and Arshad Warsi is flawless. Boman Irani, in his typical fashion of doing something different in each movie, contributes further to the comedy by portraying a very stereotypical image of a Sardar. Even though the comedy does justice to the entertainment factor on a high scale, it does not deviate from the central theme and is able to deliver all the messages beautifully. Cinematography: Cinematography is done fairly well according to a typical Indian movie standard. Video Editing: There is not much video editing for the movie since there is no need for it. It is mainly focused in songs, especially in the Pal Pal song sang by Bollywood melody queen, Shreya Ghoshal.
- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.
Iaido - General Background
Mahatma Gandhiis the art of drawing the sword and striking an armed opponent at lightning speed. It is the art of strategy, achieving precision in all aspects of mental and physical ability, including accurate footwork, balanced posture and critical timing. Live blades are razor-sharp and experienced practitioners are the only ones permitted to use them. The risk involved is thought to be worthwhile because this is the only way achieve the ultimate in awareness and concentration, and to unify the mind and the body together in total harmony. Although Iaido may be classed as a separate martial art, it is closely related and complementary to Kendo. Kendo practice requires 2 people fencing each other armed with shinhai (bamboo swords) and wearing armour, whereas Iaido is practised on an individual basis wearing a gi, juban, hakama and obi. Practitioners use a real or an imitation sword, called an iaito. The aim of the exercise is to perform a set of movements (kata), in which the sword is drawn, an imaginary opponent is cut, and then the sword is resheathed. The ultimate purpose of Iaido, however, is to master the ability to overcome the enemy without the sword being drawn in the first place ” in other words, to conquer the enemy spiritually, with the sword still in the sheath, and so resolve problems without having to even resort to violence. There is one quote that explains this way of thinking: The mind is not disturbed by the self being beaten up but by the self beating up others. History: Iaido derives from the ancient way of the Samurai warrior (bushi), and the forerunner of the art we know today, Iaijutsu, was used in earnest on the battlefield, whereas Iaido was designed to practise the way of the sword. Evidence suggests that the bokken used today in Iaido has been used as a weapon since around 400 AD. The bokken is a solid wooden stick with the same shape, weight and approximate length as a sword, and is usually made of red or white oak. Bokken technique was followed by the art of tachikaki (drawing the sword from its scabbard). The blade (tachi or katana), was long and straight and the Japanese warrior would carry it on his left side. A shorter blade was used for quick-draw techniques known as batto.
- Thanaseelan, click on <a target="_new" href="http://www.worthofwordplay.blogspot.com">http://www.worthofwordplay.blogspot.com</a> to view his main blog. Don't forget to check out the categories on his blog.
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