Bollywood Movie Review - Lage Raho Munnabhai (asian martial art photos)
January 19th, 2008
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Okay fingers up, how many of you have seen this movie? May not be a blockbuster or a box office hit hindi movie but it is definitely worth a watch. Perhaps more than once. Why? Just imagine, Sanjay Dutt tackling his enemy by following the principles of Mahatma Gandhi. For the uninitiated, he is a beefcaked bollywood actor with a really mean mafia look who looks like a former Brisbane Lions regular player. I was refering to the former of course. This is definitely one of my favourite movies as the story, screenplay and entertainment factors are brought up very well. This movie goes down as one of the most meaningful movies in Indian film industry. The essence of the movie is about applying the teachings of Gandhi in today’s world and downright hilariousness is ensured from the pairing of Arshad Warsi and Sanjay Dutt. Hahaha… watch it. No seriously… watch it. Story: This is the second installment to the Munnabhai MBBS movie series. The kind hearted don, Munnabhai (played by Sanjay Dutt), researches day and night on Mahatma Gandhi in order to impress the lady of his dreams and that is when Gandhi appears in front of him either as a soul or a figment of Munnabhais hallucination. An adventure then starts in a meaningful way for him where he learns how to deal with people and their problems by applying Gandhis principles. Screenplay: Perhaps the sole challenge of the movie is the application of Gandhis philosophy to solve todays people related problems and it is carried out so well in the movie. The comic timing of Sanjay Dutt and Arshad Warsi is flawless. Boman Irani, in his typical fashion of doing something different in each movie, contributes further to the comedy by portraying a very stereotypical image of a Sardar. Even though the comedy does justice to the entertainment factor on a high scale, it does not deviate from the central theme and is able to deliver all the messages beautifully. Cinematography: Cinematography is done fairly well according to a typical Indian movie standard. Video Editing: There is not much video editing for the movie since there is no need for it. It is mainly focused in songs, especially in the Pal Pal song sang by Bollywood melody queen, Shreya Ghoshal.
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Mma-A Brief History
It would be impossible to fully track every aspect of the beginnings of mma. The Greeks, Romans, Cavemen? I will try to bring to you a history of mma that impacted the United States as I believe it occurred, and what is now the growing popularity in this reality fighting. When I use the term reality fighting, it refers to actual full contact striking and joint wrenching submissions. It is not meant to disrespect the traditional martial arts. In Brazil there was a competition called vale tudo (Portuguese for anything goes) In the early nineties an elder son of a very respected Brazilian jiu-jitsu (bjj) master came to the United States. This elder son and his younger brother were giving Bjj lessons out of their garage. This elder son partnered with another man and began a very popular competition where fighters of different styles would fight each other abiding by only a few rules. The younger brother of the man you started this competition dominated the fighters that stood before him. Many of the fighters were of a standing style (karate,kung-fu,etc) when this young man would take them down and tie them in a pretzel they were at a loss on how to defend against it. At this time there were no time limits on rounds. This young man would hold on to his competitors like an anaconda; wearing them down and waiting for the right moment to apply a submission hold. It did not take long for future fighters to start training in this young mans style and start gaining there own submissions. One mistake was made though. Now they were getting knocked out. The new rules to this competition incorporated rounds, and if they were on the ground too long with no action the ref would stand them back up. Not exactly a grapplers desire. With these new rules in place a new breed of fighter emerged. Mma fighters had to find a new way to cope with the double threat of stand up and ground fighting. Many of these fighters started to cross train in both ground fighting and stand up. The world of mma in the United States would never be the same. It was no longer a matter of style versus style, but who had the better stand up OR ground game. Its very complex if you think about it. Say fighter A is stronger at stand up than on the ground. His competitor, fighter B is equal at both, maybe a little better at standing and just as good a fighter as A on the ground. This scenario can be a combination of a lot of variables. There is strategy in these fights. They do not just go toe to toe with a fighter. They study their competitor and try to exploit their weakness. Regardless where mma originated from, no one can deny the explosion this sport has seen, or the skill of these athletes. These are not brainless brawlers wanting to duke it out, they are skilled combatants with a strategy wanting to compete with other skilled fighters.
Shawn Sellen is the owner of the mixed martial arts website <A HREF="http://www.mmaarticles.com">mmaarticles.com</A>
The Origins of the Martial Arts in the UK.
The Origins of Martial Arts in the UK
By Mr Nigel Porter.
Submitted by Henry Ellis.
The following article offers those students, who are interested in the true history of British Judo and Aikido, a more comprehensive view of the profound effect that Kenshiro Abbe sensei had on British Martial Arts. ESTA are most grateful to Mr Nigel Porter of the “Tokushima Budo Council International (Judo)” and also the “Traditional Aikido Iwama Ryu GB”, for allowing us to place this article on our website.
Jujutsu Arrives
On the 26th of September 1899 a British engineer, called Barton Wright, returned to England after an extended period of living and working in Japan. He brought with him an eighteen year old Japanese man whom he had developed a friendship with, and who he believed had something special to give to the British people. The Japanese youth was Yukio Tani (1881 - 1950) and he was an exponent of the Japanese art of Jujutsu. The combination ofBarton Wright, as entrepreneur /manager and Yukio Tani, a natural showman, led the two men into touring the Music Hall circuit, where Tani would challenge anyone willing to wrestle with him. With the temptation of winning ?1 for lasting each minute, overan initial 5 minutes, or ?50 for winning, there was never a shortage of challengers. However, at a diminutive 5 feet 6 inches (1.67Mts) Tani allegedly lost only one music hall match and that was to a fellow Japanese national.
In 1900 S.K. Uyenishi joined the circuit, but soon after began teaching self defence and physical education at the Army Gymnastic HQ in Aldershot. In the May of 1906 the feet of arguably one of the most famous Judoka, in British history, touched our shores. His name was Gunji Koizumi (1885 - 1965), a Chinese lacquer expert by trade and master of Tenshin Shinyo Jujutsu, Kenjutsu, Akishima Ryu Jujutsu and Katsu. He was only to stay for a year, training and instructing his martial Arts around the country, notably at the Kara Ashikaga Jujutsu school, the Piccadilly School of Jujutsu, the RNVR, etc. until he decided to journey to the United States. He did, however return in 1910 and eventually founded the London Budokwai, in1918, offering Jujutsu, Kendo and other Japanese arts to the British public. A year later Koizumi asked Tani to join him as an instructor at his school of Martial Ways and Tani accepted, retiring from his Music Hall bouts.
In 1919 another, yet to be famous, Martial Artist arrived in Britain. This time it was a Japanese gentleman by the name of Masutaro O’Tani (1899 - 1977), who had worked his passage on a merchant vessel. He was a Jujutsu man, having trainedin Japan as well as Ceylon, where he had lived during his passage.
Judo Is Accepted
Koizumi and Tani were teaching their Jujutsu method at the Budokwai until 1920, when a delegation formed by Jigoro Kano,the founder of Kodokan Judo, Hikoichi Aida and E.J.Harrison, both Kodokan Dan grades and members of the Budokwai,influenced them to covert to Judo. This was achieved and the Jujutsu men were awarded their Judo 2nd Dans, in recognition of their technique and status. From there on Judo was formally taught at the Budokwai and this can be recognised as the starting point of British Judo. Meanwhile Masutaro O’Tani had been looking to continue his Martial Arts training and subsequently joined the budokwai in 1921. Within 5 years he had risen to the position of assistant instruct to Yukio Tani and become close friends with this character. In 1948 the British Judo Association (BJA) was formed, uniting the majority of Judo clubs in Great Britain and installing GunjiKoizumi as President. Two years later Yukio Tani passed away, having previously suffered a debilitating stroke. Over the next few years O’Tani became disenchanted with the Judo that was being promoted by the BJA and it’s anglicising of the Japanese sport he loved. He was also said to be unhappy with the level of support and care that had been extended to his old friend Tani. Consequently,in 1954 O’Tani severed his links with the BJA and formed his own organisation - the Masutaro O’Tani Society of Judo (MOSJ).
Around that time the London Judo Society (LJS), a BJA group co-founded by George Chew and Eric Dominy, decided to invite a high ranking Japanese Judo player/teacher to their society, to become their chief instructor.
Kenshiro Abbe and Kyu Shin Do
In 1955 and as a result of the LJS decision, a man, who’s credentials were incredible by Japanese standards let alone British ones, arrived in Britain. The man was Kenshiro Abbe (1915 - 1985) and he was single handedly to have more of an impact on British Martial Arts than anyone who had gone before or, for that matter, after.
Abbe Sensei was born in Tokushima province, Japan and was first introduced to Martial Arts by his father, a Kendo teacher,at the age of 3. Abbe Sensei learnt Sumo wrestling at school and became the regional school champion. In 1931 Abbe Sensei began Judo and one year later, when only 15 years old, was graded 2nd Dan. His Judo prowess grew from there, becoming the Tokushima High schools champion at 16 and receiving his 3rd Dan from the national Martial Arts governing body, the Butokukai.
In 1933 he enrolled at the Butokukai’s special teacher training college and later was graded 5th Dan, graduated and retained as an instructor. In 1935, aged only 18, Abbe Sensei won both the All Japan East/West Tournament and the 5th Dan championships, a pinnacle in competitive Judo. It was around this time that Abbe Sensei began a 10 year study of Morihei Ueshiba’s Martial Art - Aikido and formulated his own Budo philosophy of Kyu Shin Do. Abbe Sensei received his 6th Dan in 1938 and during the war years ran a military training company, where he studied and mastered Jukendo, the way of the Bayonet.
In 1945 the Butokukai graded Abbe Sensei 7th Dan Judo and 6th Dan Kendo and in 1949 he took up the position of chief instructor to the Kyoto Police and the Doshisha University. Six years later Abbe Sensei was teaching in Britain.
Although initially invited by the LJS to be their chief instructor, a series of disagreements resulted in Abbe Sensei parting company with them. The stage was set for Abbe Sensei to teach pure Kyu Shin Do to the British and in order to achieve this Abbe Sensei formed a number of martial Arts Councils, including the British Judo Council (BJC), the British Kendo Council, the British Karate Council, etc. as well as an overall governing body - the International Budo Council (IBC). It was through these various councils that, by 1957, Abbe Sensei had introduced Kendo (the way of the sword), Aikido (the way of spiritualharmony), Kyudo (the way of the bow), Jukendo (the way of the bayonet), Iaido (the way of sword drawing), Yarido (theway of the spear) and Naginatado (the way of the halberd) to Europe.
Around this time (1956) OTani, by then a 5th Dan, made contact with Abbe Sensei and very soon began training under him. By 1958 O’Tani had been given the position of national coach to the BJC. The early 60’s were to prove very exciting for British Martial Artists and Abbe Sensei was instrumental in inviting leading Budo teachers to Great Britain, including Nakazono Sensei - 6th Dan Aikido and Harada Sensei - 6th Dan Shotokai Karatedo.
In 1964 Abbe Sensei returned to Japan in order to see the Olympics hosted in his home land and Judo represented for the first time. It was 5 years later that he finally returned, his delay being caused by an old injury to his neck, that had gradually got worse since the car accident that caused it, back in 1960. What he returned to was a near dormant IBC and a BJC that had changed course in his absence. He felt that, instead of studying the truth of Budo, most BJC members only wanted the physical instruction, misunderstanding the origins of the teaching and consequently corrupting the essence of Abbe Sensei’s KyuShin Do philosophy.
Subsequently Abbe Sensei set about redressing the situation, virtually dismantling the BJC and leaving in place only those worthy to help in the reconstruction. O’Tani was made president of the BJC and graded 8th Dan. O’Tani was also left incharge of the IBC, with a number of other loyal students. In 1970 Abbe Sensei returned to Japan and in the same year O’Tani merged the MOSJ into the BJC. During the early and mid 70’s the management of both the BJC and IBC became difficult for O’Tani and those that had been left to continue Abbe Sensei’s teachings. In 1978 the BJC severed it’s links with the now ‘all but’redundant IBC. Since then many organisations have sprung up, promoting the Kyu Shin Do philosophy, but few truly grasp what Abbe Sensei meant.
Abbe Sensei sadly passed away on December 1st 1985.
By Nigel Porter
Kind Regards
Henry Ellis
Co- Author of Positive Aikido.
http://www.EllisAikido.org
http://www.geocities.com/britishaikido
http://www.KenshiroAbbe.com
About the Author
Nigel Porter is a student and writer of Judo
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